How this works

We will release a movie every ten days beginning with Birth of a Nation (1915) and then jumping to the 1920's where we will release one new movie for each year within the decade. Our goal is to work our way from the 20's to the present while gaining insight into the evolution of film. All the movies we choose will be available through Netflix. The basic idea is to build a community of like-minded film fans and connect them with a forum for discussion. Without futher ado...it's time to Cinema Cram!

7/23/10

Film 18: Fury (1936)

Netflix Summary: Director Fritz Lang dishes up an unflinching indictment of mob justice in this potent drama. Passing through a small town en route to see his fiancée, upright Joe Wilson (Spencer Tracy) ends up charged with kidnapping based on flimsy circumstantial evidence. When news of his arrest spreads, an irate mob storms the jail, burning it to the ground -- with Joe ostensibly inside. Little do they know that he escaped and is hell-bent on retribution.

Filmsite.org: German director Fritz Lang's first Hollywood film (after exiling himself from his homeland due to Nazi persecution), MGM's thought-provoking, socially-aware Fury treated the psychology of a lynch mob and its impact on an innocent victim (Spencer Tracy).

Here is a video discussing Fritz Lang's directing style:


Film Viewing Due Date: 8/2/10

7/20/10

The Informer (1935) Reviews

girl by locker says: This movie is brilliant and beautiful, but it was also incredibly difficult for me to watch. It starts out with Gypo Nolan (Victor McLaglen) living in the 1920's during Ireland's Sinn Fein Rebellion. Gypo has just been kicked out of the underground movement for not carrying out orders and is completely penniless. His closest friend, Frankie McPhillip, is wanted for murder by the English and comes back to their hometown in order to see his mother and sister. Gypo ultimately turns him in when the £20 reward proves too tempting. In that brief synopsis, the stage is set for a movie about remorse and revenge...and we get both. 
From the beginning, I was caught up in the story, the atmosphere, the cinematography. It really is beautiful and for this I give the movie 4 out of 5 stars on my Netflix ratings. But it was difficult for me to watch Gypo wander around drunk, piddling away his money on drinks and food obviously filled with remorse at what he had done to one of his closest friends. It was painful to see and evoked emotions in me that made me want to scream at the television, "Stop drinking and go buy your ticket to America." I don't think I've ever had that kind of reaction to a movie.
On another note, it was also interesting to me that this is the second public court scene we have seen in which the underground movement judges one of its own. We saw it for the first time with M.  
Overall, this movie is definitely worth seeing though don't expect to feel happy when it is all said and done.   

Juror #3 says: I love Hitchcock, I truly do.  But I am so glad we decided to watch The Informer over 39 steps as our 1935 selection, mostly because I'm more familiar with Hitchcock than John Ford.  After watching The Informer I can confidently say that John Ford is one of my favorite directors.  I don't know where I would rank him necessarily but he'd be up there with Hitchcock, Griffith, Kubrick, Scorsese and Lean.  I mean, Ford was already one of my favorites but there is something about seeing his early work and the inventive processes he utilized that really impresses.  This film is beautifully shot, wonderfully acted, and completely engaging.  
girl by locker has given a nice breakdown of the plot.  Yes, it's dark. Yes, it tugs at your soul.  The emotions it invokes is directly equated to the determined focus Ford gives every detail to every scene.  For instance, the wanted poster blowing off the street onto our main character's leg.  He tries to shake it off, but can't.  Eventually it falls to the ground and blows away in an ironic moment of foreshadowing.  I could go on and on with the examples of detail but instead I'll just recommend you watch the movie.  Towards the end of the film there is a scene that, in my opinion, HAD to be influenced by the movie M - chilling silence and hard, cold stares.  The only thing I could complain about is that my own personal convictions didn't really allow me to enjoy the end of the film, meaning the final message.  It made me a bit angry actually.  But, again, what more can you expect from great filmmaking than the types of emotions that The Informer stirred up.  I rate it 5/5 stars.

7/8/10

Film 17: The Informer (1935)

Netflix Summary: Director John Ford nabbed an Oscar, as did star Victor McLaglen, for this atmospheric drama set during Ireland's 1922 Sinn Fein uprising. McLaglen delivers a harrowing performance as Gypo Nolan, a roistering brute who fingers best friend Frankie McPhillip (Wallace Ford) to collect a reward, then promptly fritters away the money on one night of revelry. After British troops kill Frankie, the Sinn Fein proceeds to even the score with Nolan.





Film Viewing Due Date: 7/18

7/6/10

It Happened One Night (1934) Reviews

girl by locker says: It Happened One Night did not disappoint. Well, maybe a little bit – just an eensy, weensy tiny bit – but I think that is because my expectations were gargantuan and no movie could possibly have met them. In the end, I still rate it a 4/5 and that is only because we can’t rate half stars on Netflix.
I knew the movie took place on a bus, and I assumed because of the title that it obviously was something that happened over the course of one night. Logical, no? However, the plot is carried out over the course of several nights and I wonder if they did that because the title would not have been as catchy. It Happened Over Several Nights just doesn’t have the same panache.
Clark Gable and Claudette Colbert have an undeniable chemistry, and I read that though this movie swept the Oscars (Best Picture, Best Director, Best Actor, Best Actress, Best Screenplay) neither one of them actually wanted to be in it. They were forced into the parts as punishment by their respective studios. Colbert only agreed to take on the part if they could finish filming in 4 weeks so she could go on vacation. Whether those are just urban legends, the result is spectacular – witty, crisp, stunning cinematography, wonderful character arc, and a must see for any classic film buff out there.

Juror #3 says:  It Happened One Night was extremely well done.  The dialogue, the acting, the cinematography.  As we progress through our curriculum it's clear that the filmmaking evolves substantially from film to film.  I find myself wondering when along our film study journey that this may cease to be the case.  This was another giant leap forward in filmmaking.  Having said that, there were moments in It Happened One Night where I really just wanted to fast forward.  Maybe I started the movie too late.  I felt like I knew the ending and neither character was all that redeeming...at least not enough for me to really care.  The arc of the movie was all about love, which is fine, but I didn't really like either character all that much more.  I rate it a 3/5.